The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
The apparition of the Virgin of Caima
ElleII2
ElleII2
ElleII2
ElleII2
ElleII2
ElleII2
ElleII2

Coutau-Begarie | December 9, 2024

€403,000 with fees

Jacinto Carbajal School
of the late 18th century (Peru)

The apparition of the Virgin of Caima In a landscape of Eden with Inca Caciques while praying

€60,000 - 80,000

Oil on canvas

121x192.7cm

Provenance:

Peyton Wright Gallery, Sante Fe, Etats-Unis

Private Collection, Miami

Exhibitions:

Lyon, Andes Celestes, Musée d’art religieux de Fourvière, from March 18 to June 30, 2017, page 50 and 51 of the exhibition catalog.

Versailles, Musée Lambinet, September 17 to December 24, 2011. Pages 50 and 51 in the catalog “Latin American Pomp and fervor”. Le Mans, Tessé Museum, Baroque Exhibition of the Andes, from November 6, 2010 to March 6, 2011.

Castres, Goya Museum, March 18, 2011 - June 12, 2011. Musée du pays de Sarrebourg, exhibition Baroque of the Andes, from June 25 to September 4, 2011.

Paris, Musée de la Chasse, exhibition Les Anges arquebusiers, February 1 - March 1, 2012.

Mexico, Miradas comparas, July 12 - October 7, 2012.

Auch, Musée des Amériques, Baroque Painting of the Andes, from April 4 to June 1, 2014, extended until September 21, 2014.

Montbrison, Secret of the colors of Europe in the Andes, from March 21 to September 27, 2015, page 38-39.

La Rochelle, New World Museum, exhibition Gold, angels and roses, from December 18, 2014 - March 31, 2015, extended until September 21, 2015.

The imposing format of this canvas is up to the subject represented: the Virgin of Caima, ensures protection and prosperity to the Inca Indian people. She is the Virgin of Purification honored on February 2, just like the feast of the presentation of Jesus in the temple, coinciding with that of Candlemas. In the foreground on the left, 5 Indian characters love the Virgin. On the right, 2 female characters hold in their hands a medallion presenting the Virgin as the “Benefactor of Unhappy Indian Women”. The Flemish influence is quite sensitive through a clear vertical division of the composition whose background on the right discovers a meticulously detailed mountain landscape: houses in a village and further, a church of Caïma near Aréquipa, still existing and which the painting has faithfully reproduced. The whole composition reveals a lush nature rich in flowers, fruits and birds in a decorative tree dear to South American artists, and who represent Inca beliefs.